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And through '60ењ†0,' he hopes to expose newcomers to electronic music.' 'Founder Robert Voisey said the 60-centric format вЂ“ inspired by other intermission-free performances in New York вЂ“ is designed to retain audiences' attention. Д¦0ењ†0's primary focus is to create an artistic representation of the electronic music being created in society today and to present that music to a large audience, 'to represent diverse composers from all walks of life' Each 60ењ†0 performance mix contains a wide variety of musical styles and aesthetics. Works less than 60 seconds are artistically placed within a minute time frame the rest of the minute is filled with silence until the next minute begins. It is played in conjunction with a synchronized analog clock. The performance of 60ењ†0 consists of the 60 works played over loudspeakers in succession without pause for 1 hour.

1 Performance, participants and purpose.

Later in the performance season, 60ењ†0 collaborates with artists of different disciplines to create multimedia performances with dance, video, and/or fine arts. The 60ењ†0 mix is then presented in several venues throughout the world.

The 60ењ†0 mix is then synchronized with an analog clock where the beginning of each new minute brings the beginning of a new musical work by a different artist. The 60 works are then ordered to create a one-hour music mix. The 60ењ†0 project puts out a call for submissions for recorded media 60 seconds or less in length (also known as signature works.) 60 one-minute works are selected from the submissions. Д¦0ењ†0 was designed to showcase the diversity of the contemporary music and has succeeded in presenting thousands of composers in hundreds of performances around the world since 2003. The 60ењ†0 project was conceived and developed by the new music consortium, Vox Novus and its founder, Robert Voisey. 60ењ†0 project showcases sixty new works, each sixty seconds or less, by sixty composers in a continuous sixty-minute concert, for a one-hour cross-section of contemporary music. Their 2016 album French Connections was released on the Proper Canary label.60ењ†0 is a collection of 60 electroacoustic or acousmatic works from 60 different composers/artists, each work 60 seconds or less in duration. Since 2009, he performs internationally with flutist Linda Chatterton as part of the Chatterton-McCright Duo. He tours regularly with violinist, Francesca Anderegg. He is currently the Director of Music at Saints Martha and Mary Episcopal Church. He has performed in collaboration with a variety of ensembles including Ensemble 61, Saint Paul Chamber Orchestra, dal niente, Mirandola Ensemble, Wild and Wulliman, La Bonne Chanson, Intersections, Gypsy Hocket, Renegade Ensemble, Zeitgeist, Taipei Trio, Balkanicus, New Sound, New Century Piano Duo, Dixie Five, ComposerвЂ™s Ensemble, Westminster Triptych, WC Jazz Ensemble, and with countless other chamber music groups. He has been featured in articles in the NewMusicBox, Tutti, and Voice magazines and in radio broadcasts across the globe. McCrightвЂ™s festival participation includes Bang on a Can at MassMOCA, Printing House Festival of New Music (Dublin), Late Music Festival (UK), Vox Novus, SEAMUS, Hampden-Sydney Chamber Music Festival, Engelbach-Hart, KodГЎly Institute, Perilous Night, Fringe, Bridge, Spark Festival of Electronic Music, SPLICE, Festival of Lakes, Rayuela, Oh My Ears, Source Song, Seward Arts, Zeitgeist Early Music, Duquesne UniversityвЂ™s Summer Music, Music 2000, CCM Village Opening, and Minnesota Composers Alliance, as well as programs for the American Composers Forum across the country. His solo touring shows include Evening Preludes, The PeopleвЂ™s Music, Contemplations: The Music of Olivier Messiaen, Connecting Flights, There and Back Again, Forward Looking Back, and Endurance. An accomplished recording artist, McCright has released seven solo recordings his most recent Endurance on the Vox Novus label, as well as three albums on innova Records ( Second Childhood, A Waltz through the Vapor, and Blender), the piano works of Gene GutchГ« on Centaur Records, on Albany Records of the piano music of Olivier Messiaen, and What is Left Behind on the Proper Canary label.

A native of Pennsylvania, McCright now resides in Minneapolis, Minnesota, and is a member of the piano faculty of Carleton College. He has thrilled audiences and critics alike with imaginative programming that places the greatest piano repertoire alongside the music of todayвЂ™s most innovative composers. Martin-in-the-Fields, and IrelandвЂ™s National Concert Hall. American pianist Matthew McCright has performed extensively throughout the United States, Europe, Asia, and the South Pacific and on such prestigious stages as Carnegie Hall, Merkin Hall, St.

The village voice returns village voicey